Nostalgia for China's rural past, now manifest in miniature

Vivan Wang reported in the New York Times yesterday under the headline, "Recreating a Bygone China, One Miniature Home at a Time."  The young man featured in this story is Shen Peng, who had recently taken his grandmother to the site of the house where she and her husband had once lived.  The house in northern China had been demolished by the Chinese government for redevelopment.  Here was Mr. Shen's response to his mother's grief over the home she and her husband had at one time: 

For more than six months, he labored in secret after his day job as a hairdresser. Finally, Mr. Shen, now 31, presented his grandmother with a surprise — a handcrafted 1:20 scale replica of her old home.

There was the wire clothesline in the courtyard, draped with a blue blanket cut into the size of a postage stamp. There was the rickety bicycle, outside a shed constructed with foam boards and plaster. Mr. Shen had even traveled to the site of the old house to better recreate the fragment of brick wall that still remained.

The project led him into a small but growing community of artists in China filling an increasingly urgent demand: miniature replicas of homes that have been demolished, remodeled or otherwise swept away by China’s modernization.

Over the past 40 years, China has transformed from one of the world’s poorest countries into its second-largest economy. The share of city residents has tripled, and vast numbers of Chinese have seen the structures of their childhoods disappear, often through government redevelopment campaigns.

Here's a quote from Mr. Shen:

Nobody would actually want to live in these houses again. Once people have gotten used to nice things, they can’t handle these shabby one... the pace of life now is too fast. Just because you live in a high-rise doesn’t mean you’re happy.

Mr. Li is another artist who makes the miniatures: 

About half of Mr. Li’s clients are in their 30s; the rest are older. Most, like himself, were carried by China’s economic boom from the countryside to the cities, finding education and jobs that allowed them to afford nostalgia. Mr. Li’s miniatures cost between $1,400 and $7,000, in a city where the average disposable income for urban residents is about $8,000 per year. He has made about 80 in all.

Younger viewers on social media can find the urge to document these old houses confusing. Some comment disbelievingly on how run-down the houses look. Even some of Mr. Li’s assistants, many of whom are recent art school graduates, said they had little familiarity with the countryside.

Other posts about China's rural past are here and here.