“Migrant Mother,” Dorothea Lange’s image of a weathered, grimy Depression-era woman in California surrounded by her children, is one of the most famous photographs of the 20th century, as is “Fleeing a Dust Storm,” Arthur Rothstein’s shot of a farmer and his two young sons in the Oklahoma Dust Bowl whipped by the wind, a shack in the background.Of course, looking at these photos (the link to the story's multimedia feature is here), and recalling that era would always be good for a blog post about matters rural, but I was really moved to post because of that caption on Lange's photo, saying it "introduced one segment of America to another." Sometimes I think we need to make a re-introduction of metropolitan America to its country cousin. A lot of "information" about rural America is out there for urbanites to consume, as in vehicles of popular culture, but too often it is partial, even wrong. A proper re-introduction might be in order, for example, to achieve better policy solutions to enduring social problems that plague both rural and urban communities. But how might such a re-introduction be properly and meaningfully achieved?
Monday, August 18, 2008
"Introducing one segment of America to another"
That is part of the caption for Dorothea Lange's "Migrant Mother" photograph, which is featured in a New York Times story this morning about a documentary that will air on PBS tonight. The documentary is called, “Documenting the Face of America: Roy Stryker and the F.S.A./O.W.I. Photographers.” Here's the story's lede:
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