Delia Owens “defied the new laws of gravity” with the success of her 2018 novel Where the Crawdads Sing. Described as “both a coming-of-age tale and an engrossing whodunit,” the novel situates readers in the desolate marshlands of the North Carolina coast, looking through the eyes of an abandoned child named Kya. The first half of the story feels almost transcendentalist, focused largely on Kya, her self-reliance, and the bond she forges with the nature that surrounds her. But interspersed throughout this narrative are snippets of a future murder investigation, which leads readers into the events that transpire during the second half of the novel.
This combination of bildungsroman and courtroom thriller placed in an unconventional, natural setting has captivated audiences of all backgrounds. Publishing experts remain baffled by the book’s sales, which hit 4.5 million copies in under a year and a half, as well as its steadfast hold on the New York Times bestseller list still today—nearly four years after publication.
While accolades such as a spot on Barnes & Noble’s Best Fiction Books of 2018 and a book club endorsement by Reese Witherspoon contributed to the novel’s success, critics suggest that “the story of a young woman wrestling with isolation and loneliness in lushly descriptive settings resonate beyond political boundaries and in defiance of falling sales of adult fiction.” Further, the dialogue surrounding Kya and her life in the marsh appears far from over, as a film adaptation is currently in the works. Where the Crawdads Sing’s unifying effect has propelled it to a position of literary importance, and it has also created an audience for a literary voice not often, nor accurately, represented in popular culture: the voice of ruralism.
Depictions of ruralism in books, movies, and television frequently perpetuate stereotypes and create misunderstandings about the realities of rural life and law. For example, most characterizations of rural lawyers, like those in Where the Crawdads Sing, portray them as efficient and accessible. But in reality, studies show that the pool of attorneys serving rural communities is shrinking, making it more difficult for rural dwellers to access legal services. The American Bar Association (ABA) describes rural residents as “disproportionately poor[] and . . . forced to travel long distances to find lawyers to handle routine matters that affect their everyday lives, such as wills, divorces and minor criminal and civil cases.” The attorney shortage is due in part to social perceptions of rural lawyering, and this Book Notice evaluates the role that Where the Crawdads Sing plays in contributing to these and other rural stereotypes.
This Notice focuses on misconceptions about rural realities and how representations of ruralism in Where the Crawdads Sing either perpetuate or deviate from these misunderstandings. Part I provides an overview of the impression of ruralism that Where the Crawdads Sing creates. Part II discusses the current state of rural life and justice, highlighting issues of access to justice and other challenges caused by misconceptions about ruralism. Finally, Part III evaluates how Where the Crawdads Sing reflects or diverges from reality and considers the real-world implications of those representations.
Monday, April 25, 2022
Rural Legal Scholarship: Reconstructing Rural Discourse and "Where the Crawdads Sing"
Michigan Law student Bailey Tulloch has published a book notice in the Michigan Law Review titled "Reconstructing Rural Discourse," and it analyzes Delia Owens' Where the Crawdads Sing. The abstract follows:
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