Literary Ruralism (Part XXIII): My Name is Lucy Barton, by Elizabeth Strout (2016)

What follows is the protagonist's description of her hometown, Amgash, Illinois.  Lucy Barton lives in New York City at the time she is writing this, and her mother is visiting from Amgash to help keep Lucy company while Lucy is hospitalized. 

We were oddities, our family, even in that tiny rural town of Amgash, Illinois, where there were other homes that were run-down and lacking fresh paint or shutters or gardens, no beauty for the eye to rest upon. These houses were grouped together in what was the town, but our house was not near them. While it is said that children accept their circumstances as normal, both Vicky and I understood that we were different. We were told on the playground by other children, “Your family stinks,” and they’d run off pinching their noses with their fingers; my sister was told by her second-grade teacher – in front of the class – that being poor was no excuse for having dirt behind the ears, no one was too poor to buy a bar of soap. My father worked on farm machinery, though he was often getting fired for disagreeing with the boss, then getting rehired again, I think because he was good at the work and would be needed once more. My mother took in sewing: A hand-painted sign, where our long driveway met the road, announced SEWING AND ALTERATIONS. And though my father, when he said our prayers with us at night, made us thank God that we had enough food, the fact is I was often ravenous, and what we had for supper many nights was molasses on bread. Telling a lie and wasting food were always things to be punished for. Otherwise, on occasion and without warning, my parents – and it was usually my mother and usually in the presence of our father – struck us impulsively and vigorously, as I think some people may have suspected by our splotchy skin and sullen dispositions. 

And there was isolation. 

We lived in the Sauk Valley Area, where you can go for a long while seeing only one or two houses surrounded by fields, and as I have said, we didn’t have houses near us. We lived with cornfields and fields of soybeans spreading to the horizon; and yet beyond the horizon was the Pedersons’ pig farm. In the middle of the cornfields stood one tree, and its starkness was striking. For many years I thought that tree was my friend; it was my friend. Our home was down a very long dirt road, not far from the Rock River, near some trees that were windbreaks for the cornfields. So we did not have any neighbors nearby. And we did not have a television and we did not have newspapers or magazines or books in the house. The first year of her marriage, my mother has worked at the local library, and apparently – my brother later told me this – loved books. But then the library told my mother the regulations had changed, they could only hire someone with a proper education. My mother never believed them. She stopped reading, and many years went by before she went to a different library in a different town and brought home books again. I mention this because there is the question of how children become aware of what the world is, and how to act in it. 

How, for example, do you learn that it is impolite to ask a couple why they have no children? How do you set a table? How do you know if you are chewing with your mouth open if no one has ever told you? How do you even know what you look like if the only mirror in the house is a tiny one high above the kitchen sink, or if you have never heard a living soul say that you are pretty, but rather, as your breasts develop, are told by your mother that you are starting to look like one of the cows in the Pedersons’ barn? 

How Vicky [Lucy's sister] managed, to this day I don’t know. We were not as close as you might expect; we were equally friendless and equally scorned, and we eyed each other with the same suspicion with which we eyed the rest of the world. There are times now, and my life has changed so completely, that I think back on the early years and I find myself thinking: It was not bad. Perhaps it was not. But there are times, too – unexpected – when walking down a sunny sidewalk, or watching the top of a tree bend in the wind, or seeing a November sky close down over the East River, I am suddenly filled with the knowledge of darkness so deep that a sound might escape from my mouth, and I will step into the nearest clothing store and talk with a stranger about the shape of sweaters newly arrived. This must be the way most of us maneuver through the world, half knowing, half not, visited by memories that can’t possibly be true. But when I see others walking with confidence down the sidewalk, as though they are free completely from terror, I realize I don’t know how others are. So much of life seems speculation.

(pp. 11-16).

Here's a description of the fictional Lucy's home from a story in the New Yorker: 

Lucy is from Amgash, Illinois, more of a pinprick on the map than a town proper, and she grew up poor, sharing a single room with her brother, her sister, and her parents, a seamstress and a repairman of farm machinery; there was no heat, no toilet, and never enough to eat.  

There's a good dose of rural lack of anonymity in the story, too.  I'll never forget the passage in the book where Lucy's classmates call her dirty and poor, indignities I never had to experience because even in a poor rural place, we were not at the bottom of the tightly packed, narrow hierarchy of poor, low-income, and modest-means folks.