Literary ruralism (Part XLIX): Rural life in "The Mighty Red" by Louise Erdrich

I've very much enjoyed Louise Erdrich's latest novel, The Mighty Red (2024), set in the farming exurbs outside Fargo, North Dakota, along the Red River.  I'm going to share some excerpts here that reflect on small-town life.  The protagonist is Kismet Poe, a high school senior when the story begins in 2008.  Her mother is Crystal, a Native American.  

Kismet marries Gary, the somewhat hapless scion of a local sugar beet farming empire, even though she is in love with someone else.  Also looming over the novel, Gary has an ominous secret that gets revealed before the novel's end.  Along the way, we get a few comments on small-town life--indeed, the entire novel is about a community entirely involved in each others' business. 

Also of note are Erdrich's ruminations on farming and different ways of being different in relation to the natural world.  I'll save most of those for a separate post.  

In this opening scene, Gary and Kismet are out driving.

However, within a mile or two, Gary’s question whether she was bored made the silence complicated and exposed the fact that she actually was bored, very bored, and being consciously bored reminded her of what her cynical best friend, Stockton, had said—how boredom was a part of small-town life that you had to get drunk to accept. She wasn’t drunk now. She wasn’t drunk very often. She did think that if she spent much time with Gary, though, she’d have to have a bottle handy.  (p. 13) 

Kismet wanted to forestall Gary from sharing his thoughts. He might get solemn and talk about his farming ideas or his philosophy, which was that you should do what your mother told you to do. Kismet had met Gary’s mother and she questioned that. Gary believed that radio frequencies could carry disease. He started many sentences by declaring ‘There are two kinds of people . . .’ He didn’t believe in God but said he could get behind the idea that aliens had manufactured the skein of life. He also talked about, say, the Ten Commandments, and would wonder whether ‘Thou shalt not kill’ applied to deer. He loved deer. He cried when he saw a dead one. He also cried when he saw a living one. This was a thing about Gary that really got to Kismet. He didn’t hunt. His father and uncle tried to take him out hunting. He refused. He loved animals, not only deer, but every animal. Still, she didn’t appreciate it when he said that she reminded him of a deer in winter with her dark brown eyes and matching hair. Deer were lovely creatures but they were prey animals. 

College will get me out of here, thought Kismet, and a tiny rush of fear made her want to sleep. She pushed her seat back. The sun was beaming through the windshield and it was autumn sun, the mellow light of early afternoon. She fell into a dreamy nap as Gary meditated aloud about whether dinosaur bones were real or had been placed there by a super-intelligent race of ancient humans, or by aliens. ‘Aliens again,’ she murmured. 

‘Damn straight,’ said Gary in a heroic voice. 

‘You know the bones are real,’ said Kismet. 

‘Probably,’ said Gary. ‘Here’s the turnoff to that place. Remember Blosnik? He was a hands-on man. There’s two kinds—’ 

‘I know,’ said Kismet. ‘Your mom and dad . . .’ ‘

Yeah, Winnie and Diz.’  

He liked calling them by their first names. 

‘They always say there are two kinds of people, hands-on and hands-off. They really liked how Blosnik took our class out to dig fossils—’  (p. 13-14)

And this is Gary's high school teacher

‘It means, in a functional real-world application, Gary, it means something grows very quickly, gathers force, and before you even register its existence it is beyond your control. Maybe like when you gunned it down that hill? Right, Gary? Now, say you caused the deaths of two people and maimed one, you or maybe it was Eric, but the big money is on you. And when you did this you created ripped guts, torn hearts, brains overflowing with grief in three families, not to mention huge numbers of friends and even acquaintances in this small, close-knit town. In these families you created a large dark slash of grief and that, young Gary, never heals. It closes over, but it never heals. There is always a soft crater of agony in a family after that, a sinkhole spot that people flinch from. It will always hurt to touch and always be avoided. And so many people! So the harm you caused which began the moment you went full-out down that hill, or lost control or whatever you did, became exponential. Exponential is a terrible word for you because it goes beyond deaths, too. You are responsible for so much else: the good the people you caused to die might have done, lost. The loves they might have delighted, lost. The children they might have raised, lost. Lost, lost, lost. Exponentially.’ (pp. 23-24)

More about Gary that day at high school:  

He was shaking. Nobody would ever see him shake or cry. He veered through the doors of the empty gym and sat in the stands. The nameless, unbearable sensation welled up in him. He wanted to throw himself down to break his head, but with regret he thought it wouldn’t work. The gym floor was made of wood. He felt his mind rushing back to that night on the river and how he should have handled it, but those thoughts were useless, useless, useless. The only thing to do was act normal. He got up. He went out. He knew that Kismet had social studies during third period. He paused outside her classroom. Instantly, his breath slowed and his heart calmed. There was something mysterious and magical about Kismet and dating her helped Gary feel sane. He suspected it was her Indian, oops, Native American, blood—though he never mentioned it again after the first time. Gary was awed by her effect on him, but for most of the years he’d gone to school with her she just seemed weird.  (p. 24) 

On Kismet and her relationship with her mother: 

Like all mothers and daughters, both Kismet and Crystal went through Kismet’s phases. Before she took a job and cleaned up her act, Kismet was a goth, a dollar-store goth, but wasn’t that the point? One bleary night she self-dyed her shiny hair a harsh lusterless blue-black, set off her narrow eyes with thick black lines, and brushed her eyelids with gradations of purple and maroon. Crystal didn’t react when Kismet came downstairs the next morning and went to school. So she upped the ante. Tried to be secretive about her stick and poke tattoos. Kismet and Martin had memorized some of their namesake Edgar Allan’s work. Crystal caught a glimpse of the word nevermore on Kismet’s shoulder blade and a raven that came out looking like a pigeon. She pretended not to notice. In truth, she was depressed about it for weeks. Kismet’s clothes were from rummage sales or Thrifty Life, all black of course. Some she shredded artfully, others were ripped or worn thin already. Kismet was sent home for the slashes beneath her butt that went too high and showed violet panties. She was sent home again for sneaking out of the house wearing a T-shirt printed with fake breasts including nipples—she’d found the T-shirt in a garbage can. 

‘Stop wearing garbage!’ Crystal yelled at her. She was on a 6 p.m. to 6 a.m. schedule and had been roused from crucial sleep by the call from the principal.

‘All we can afford is garbage,’ Kismet said.

This stung and Crystal teared up. Kismet got all hangdog and mumbled she was sorry. (p. 25) 

Here's a scene following Kismet and Gary's wedding, which takes place shortly after Kismet's father and Crystal's long-time partner runs off with the local Catholic parish's building fund, leaving Crystal's home mortgaged without her knowledge.  That gives rise to the need for a lawyer: 

Kismet raised the skinny glass to her lips and the gentle bubbles grazed her nose. She took her first-ever sip of champagne. The ghost of a taste, an emotion in her mouth, unreadable. She drank again to try and understand. But it was too fleeting. Then she got it and smiled. An ephemeral blip. She drank until the champagne stopped thought, stopped taste, stopped emotion. People whirled, talking in her face. People watched from the sides of the room. They were talking about her, talking about her father, trying to corner Crystal, who eluded them all. 

After a brutal set of photos, Kismet’s mother squeezed her arm and said that she had to leave. Early. 

‘Are you going to see a lawyer?’ said Kismet. 

‘Oh, honey, yes,’ said Crystal. 

They wrapped each other in a silent hug with eyes squeezed shut. Getting a lawyer? It had never happened to them. It was as apocalyptic as Kismet getting married. They hugged harder, trying not to cry. Everybody looked away. (pp. 126-127) 

What follows is a scene from very near the end of the book, where the women's book group of the town gathers to discuss Cormac McCarthy's The Road.  

There followed a pleasurable babble containing many theories: nuclear winter, the Rapture, aliens, the flu, ozone holes, this thing about the climate, which split members off in subarguments, China conquers us, Russia conquers us, or maybe . . . Tania White waited patiently so that her theory was the last. She stood up and with a smile of satisfaction unrolled a chart of the Yellowstone volcano, the probable epicenter of destruction, as well as the outlying circles of poisonous gas and falling ash. 

‘So we have here the super-volcano. You see the red circle? Kill zone. Right here, this is us. In the pink zone. We’re in the primary ash zone. The secondary ash zone is this peach circle from Lake Superior over to California, taking in the Texas Panhandle. If this volcano erupted, and I guess it’s overdue, we get covered in volcano ash. It would be another ice age. Everything in the Upper Midwest would die—just like in the book—only a few random apples left—just like in the book,’ said Tania. She paused for maximum effect and tag-teamed Tory, who rose and spoke. ‘This is why we wanted to bring it to the club. This book is a very realistic look at the aftermath of the Yellowstone super-volcano.’ 

‘I’ve read where an asteroid is more likely to hit,’ said Mary Sotovine. 

‘You guys are way off the mark,’ said Winnie, pointing out the window, at the fields. ‘Look. There’s your answer.’ 

The women leaned sideways or forward to stare out the picture window and saw that, as usual, the wind was sending up curls of earth dust and dust devils were crisscrossing the fields. ‘I don’t get it,’ said Tory. 

Across the horizon a band of gray dust wavered. The sun would go down in a bloody stew. Every night was like the end of the world. It was gorgeous! ‘What is going to happen?’ said Mrs. Flossom, excitedly. ‘What can we expect?’ Jeniver went over to the table and opened another bottle of white and one of red. Even Karleen had a few sips. 

‘Don’t you see?’ said Winnie. ‘Every time you look out the window there’s dust rising up.

That’s dirt. We are losing our dirt. No dirt, no food.’ ‘Okay,’ said Karleen, eyes glittering. ‘Round that out for us.’ ‘No dirt, no food, no life. General starvation. My parents’ fields were surrounded by shelterbelts and they left stubble in their fields the way Pavlecky does now. They planted cover crops, but . . . sorry . . . I did some historic reading before Diz and I went to Russia years ago and it curdled my bones. When Stalin made the little farms into humungous collective farms . . .’ ‘

Like the sugar beet collective?’ someone asked. 

‘That’s a voluntary collective and a functional one,’ said Winnie, with a hint of scorn. ‘In Russia it was total and complete retooling where the Soviets kicked out . . . well, starved and murdered, all the landowners and farmers who were growing the wheat and turnips and food crops. Then they tried to organize giant farms, but nobody knew how to farm because most of the farmers-in-charge were dead! It was like when Stalin killed the doctors in Moscow, then he dies because there’s nobody to save him!’

‘Let’s get back to—’ Bev started. 

Winnie blew right past her. ‘Anyway, let’s say present practices continue in our case. No dirt. Nothing to eat.’ 

‘Except people,’ said Jeniver with a stern, conclusive nod all around, as if they were on The Road or on a lifeboat, ready to draw lots. Karleen shrank back. Jeniver’s brown hair, held on top of her head by a small golden sword, flashed in the bloody sunset light. 

‘Correct,’ said Winnie, though Jeniver had stolen her punch line. Winnie nodded her head and looked down into her fuchsia lap. ‘Starving, that’s a bad way to go. You don’t just fade out. Extremely painful, and the cravings! One of the worst . . .’ 

‘Not as bad as—’ Mary Sotovine began like a pitcher winding up. 

‘Let’s not go there,’ Darva cut in. 

Once Mary and Darva began competing over worst-case ways to perish, the book club usually spiraled into ghoulish hysteria. Mary’s glowing round face flattened in disappointment. 

‘How about getting pickled?’ Jeniver wondered. 

The other women looked at Jeniver and she held out her empty wineglass. 

‘Oh, pickled!’ The general mood shifted. 

‘Wasn’t that last line of the book really beautiful?’ said Tiny Johnson, and the book discussion was soon complete, except that suddenly Bev stood up. 

‘Listen,’ she said. ‘While we’ve been talking about the end of the world like we’re looking forward to it, I’ve been thinking how the world as we know, used to know, it really is ending. I thought of what the world was like even when I was a kid, how it was more . . . it was more full.’ 

‘Last call,’ said Tiny. ‘I’m bringing out the ice cream.’ 

‘Don’t you remember?’ Bev went on. ‘How there used to be meadowlarks?’ She looked around. ‘C’mon, when’s the last time you heard a meadowlark? You know, our state bird. When I was growing up they were everywhere, in all the ditches, as soon as you got to the edge of town they started. Am I right?’ 

‘She’s right,’ said Mary Sotovine. ‘I’m older, so ten years before Bev remembers, they were in the ditches, as soon as you got to the edge of town. You’d hear them all the time.’ 

‘She’s right,’ said Winnie. ‘There used to be flocks of those cedar birds, cedar waxwings, and bluebirds, even. And bugs, which they ate. Grasshoppers. Mayflies when you went out to the lakes. Now you don’t even see grasshoppers. And there’s only a mayfly or two. It’s the pesticides.’ 

All of the women suddenly began to talk. 

‘Do you notice how you look at the grille of your car and there’s no bugs? No bugs hit your windshield? And moths. How they used to swirl in the streetlamps?’ 

‘They did. Like snow.’ 

‘And how when it rained the frogs came out and they were everywhere and the grass was thick with frogs?’ ‘Toads. You could always go out and pick up a toad.’ 

‘Now it’s surprising. A toad! It’s special!’ 

‘And there were nighthawks, lots of nighthawks swerving around, after the mosquitoes. And bats everywhere and how we used to scream if they dived at us. And flocks of pigeons on the grain elevators.’

‘What does it mean that prairie falcons are living in town?’ asked Stockton. 

Everyone fell silent. 

‘It means there’s less to eat in the country,’ said Winnie. 

Kismet waved her hand. Winnie recognized her with a nod and called out, ‘Kismet has something to say!’ 

Kismet looked at her mother and said, ‘I don’t think this book is about the end of the world. That’s just the setting, to show what happens between people in extreme situations. The end is about consolation. The father goes to the end of the earth for his son, then dies, satisfied. I mean, it’s a really sentimental book. McCarthy’s not afraid of that. And it’s a brutal adventure book—exciting when they find the food cache, and then there’s that cannibal army.’ 

Jeniver stood up and spoke with urgency. ‘This book is about what’s most important. You know, this kind of love between a parent and a child.’ 

Crystal put her arm around her daughter’s shoulders, and Kismet leaned on her mother. Winnie saw that Kismet would leave. She thought of Gary and started to cry, wondering how she could possibly save him. All of a sudden she had a thought that dried her tears right up. She’d searched for a way to thank Gary’s angel. Well, Kismet was his angel. Oh no! Oh yes! Again she wept. Bev thought about how Hugo had escaped that terrifying pre-apocalyptic landscape [the Bakken oil fields of western North Dakota], and she also started to cry. ...   Mary Sotovine was moved to tears at the thought of the days when she’d see bluebirds in a strip of grassland, now planted in soybeans.  (pp. 328-332).